Mostrando las entradas con la etiqueta indie. Mostrar todas las entradas
Mostrando las entradas con la etiqueta indie. Mostrar todas las entradas

8.1.08

WE VERSUS THE SHARK



No sé ustedes, pero cuando algo me recuerda a cualquiera de las siguientes bandas, me es imposible pulsar stop: Fugazi, Les Savy Fav, Dismemberment Plan, Karate, Jejune, Capn Jazz, y, Q and Not U.

Al contrario, sólo soy capaz de recurrir al repeat, una y otra vez, hasta que llega ese estúpido suspiro que me advierte lo viejo que me he estado volviendo.

¿Recuerdas lo que se sentía traer casetes en el bolsillo? ¿Recuerdas como se escuchaba un casete magnetizado? ¿Recuerdas cuando los Walkman se comían las cintas? Me importa un bledo fomentar la nostalgia o aprovecharme de ella, la realidad es que son pocas las bandas que en los últimos meses me han hecho mirar hacia atrás sin pena, y ésta, es la primera en mi lista del recuento hardcore punk.

Así que stayed tune chamakids... TTSO is going back to roots, you'll see us wearing Converse more often, no doubt. Either way, until then, this blog shall remain TEMPORARILY UNACTIVE. But do return, lots and lots of fun is YET TO COME! We'll be posting stuff here too now and then, until the new design is done, so don't just go...




Son de Atenas, Georgia. La ciudad que dio luz a una de las primeras camadas más representativas del so-called indie (still, nowdays, huh). Los newbies les dicen dance punk, pero para mi generación ellos más bien habrían sido math-rock o emo, una antes que la mía: simply hardcore punk. Pero dejaré que ellos mismos lo expliquen, como lo dijeron durante una entrevista para Coke Machine Glow:

CMG: Someone calls you "dancepunk." What do you think of the label (other than not wanting to be pigeonholed), and do you think it's got any hope?

JEFF: You've got to look at indie music as a cyclical thing. We spent the 90s frozen in place at shows, arms folded, and now there's this great huge movement of people wanting to dance at shows...I'm not interested in looking the proverbial gift horse in the mouth. If kids think it's cool to dance at shows right now, they can call it whatever they want, I'm into it. I hope this trend lasts as long as it possibly can.

LUKE: We never wanted it. It's sick and about to die, and I dont care. I get bitchy when it comes to labels and "genre-fication." Just don't need it. I suppose it applies to certain songs, but we really really really honestly mean it when we say we try to be everything we like at once. And we've listened to a hell of a lot more than dancepunk.

SAM: No matter what kind of band you're in, you're definitely in a "KIND OF BAND". Every band gets labeled, regardless of liking it or agreeing with it, so to be called "dancepunk" or "math rock" or "indie rock" would be accurate for us. As long as we're ALL of those, and not just ONE, I think it's a fair label. As far as its lifespan, who knows. EMO was a huge deal a while ago... but now you can call everything EMO and it works. Maybe the same will happen for DANCEPUNK, except it'll sound cooler.

Les dejo un par de temas de su Ruin Everything! (Hello Sir, 2005)...

We Versus The Shark - This Graceless Planet
We Versus The Shark - Ten Uh Clock Heart Uh Tack

...Y un track promocional de su próximo disco Murmurmur (Quote Unquote, 2008):

We Versus The Shark - Right Away

5.2.07

LAYDOWN



En el 2004 había muy pocas bandas tocando como Chikita Violenta (2002), de hecho, no había bandas como ésta. Las demás estaban escondidas tocando en fiestas privadas, y al parecer las mejores siguen tocando en esos gigs, porque las que sí consiguieron grabar discos y aparecer en los medios musicales mexicanos populares como la nueva onda, son nada más pura faramalla que-es-que indie. Excepto Austin TV, claro.

El problema es que las irresponsables revistas que los presumen como tal, al igual que las bandas que se ponen el outfit sin reprochar, no saben que una cosa es tocar rock huesero hecho-en-casa para ser luego avalados por el mainstream, y otra es ser indie.

El sermón cáustico no es en vano, pues mientras algunas de esas otras bandas recibieron el apoyo incondicional de la nueva mafia rucanrolera mexicana; Chikita Violenta se olvidó de todas sus palancas nacionales y mejor se encerraron en el estudio del productor canadiense David Newfeld para ponerse a grabar canciones buenas, a veces hasta con miembros de Broken Social Scene. Pero exclusivamente, para conseguir un buen disco y no más. Ya después se preocuparon por el sello, los medios, e incluso las tocadas.

Y así fue, it's fucking great and this is how it goes:

MP3:
Chikita Violenta – Laydown (Noiselab)

CATCH’EM LIVE:
9 FEB @ UDLA, Puebla.
10 FEB @ Polyforum Siqueiros w/ Camera Obscura, DF.

4.1.07

DIY & INDIE: So Different.



Israel Martínez wasn't brought up very differently than you or me, even if you're a yuppie or a guanabi gringo.

The difference between him and other people is that while your buddies were just hangin at their cribs, he was locked up inside his studio producing whatever you may wonder, right by the late nineties. A little bit to the left, but yeah, he was there, blasting dark hippie stuff with his lil' brother Deg who has also just released a record under the a.k.a. of Jack's Son and was embraced quite nicely by Textura.

Anyways, the thing is, while you were having crazy sex at your parent's beach house "somewhere near Cancoon" or camping at some rustic rave with two bucks in your pocket and a jar of shrooms on your back; my buddy here was releasing records and songs on his own.

You should try that too sometimes, its punk.


MP3:
Nebula 3 – So Different